If Only These Walls Could Talk
2 - 24 November 2022
Photographed at the legendary hostelry amid the ghostly presence of Picasso, Cocteau, Callas, Chaplin, Hemingway, and Van Gogh, Eisler’s work explores the masculine and feminine tensions that the city has seen and lived over centuries.
During her stay at the hotel in 2021 between lockdowns, Eisler was drawn in particular to Suite 10 - the location of Helmut Newton’s iconic 1973 Vogue shoot with Charlotte Rampling. Not in replication or imitation, but rather to explore and to expand on the subject of ‘La Femme’ in the Now. Eisler continues in her new series to pursue definitions of the various facets of the ‘Sublime Feminine’ – a consistent exploration of the artist into sensuality and the female gaze.
Through her lens and in countless bodies of work, ‘The Sublime Feminine’ has been a constant protagonist in Eisler’s work; from the Catskills to the American West, Carmel to Mexico, Iceland to Capri, and now, Arles. At the Hôtel Nord-Pinus, Eisler returns to black and white photography to explore her muses, allowing her to distil figures into abstract but emotive shapes, or what she calls “body architecture.” Her protagonists now sit nonchalantly before a feast of shellfish and sea urchins, smoke cigars whilst posing in a magasin de vins, and sprawl unapologetically across fer forge beds. Four photographs show the matador now being lured away from his arena by the same two women in elegant evening gowns.
We see mythical beauty captured through the prism of historical richness of Le Nord-Pinus in a magical dance between light and shade. At once, the female form is both echoed in the curling ironwork, and contrasted against geometric floor tiles and vertical frames. Sensual yet strong, seductive yet unattainable, these women project an idea of an uncompromising femininity and a vibrant beauty.
Suite 10 at the Hôtel Nord-Pinus was also the place where celebrated bullfighters, such as Luis Miguel Dominguín, greeted their adoring crowds from the balcony railings, and this series also pays reverence to a sport that has captivated generations of artists, poets, and writers, including Picasso, whose lifelong passion for bulls is well-documented in his work.
Of all the works in the series ‘If Only These Walls Could Talk’, three are set in the arena; as the dominant colour, red is symbolic on many levels, as an evocation of passion and danger. The matador stands strong as a masculine force; however, in place of the bull, Eisler’s female muses have returned, defiantly spirited, beautiful, and completely unapologetic about their passion, sensuality, and strength.
The accompanying publication ‘If Only These Walls Could Talk,’, which includes a foreword by Brandei Estes, Sotheby’s Director, Head of Photographs, EMEA, will be available to coincide with the exhibition.
Please contact the gallery for further information.
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